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3.5 非典型中国家庭，以“疾病知情权”为入口，探讨的是中美（或者说东方与西方）之间的“文化冲突”，日本在其中的身份十分值得玩味。入口本身很有冲突性，但在东西方的文化架构对比下面对太多无法避而不谈的内容，以至于最后的落脚过于general，有点可惜。在东方学视角下，西方对东方的想象是强硬的、不可扭转的，电影试图以东方立场对西方霸权提出挑战，但是在反向审视的时候始终未能摆脱东方“被想象”的身份，人物的一举一动仍然被牵制住了，电影也就显得十分谨慎和克制，几场家宴戏尤其如此。Awkwafina和赵淑珍都很好。

节目组，速速安排第三季，不要逼我跪下求你！！！！！！！！！！啊啊啊啊！！！！！！！！！！！！！！！！！！！！！

Not bad, surprisingly. The Farewell offers a window through which westerners could see and appreciate common Chinese beliefs and values manifested naturally in people's daily life and interactions. It does a good job to present modern China and its ecosystem on a micro-level, i.e. family, without sugarcoating or demonising it. I understand why some Chinese audience may argue that the view of culture differences (expressed explicitly through conversations) is superficial, but I think this superficiality actually renders it particularly true, because that very view is held by actual people - it is not imagined, and it is not profound for a purpose.

剧情太鬼扯，逮捕队长？！上电视台发表个声明愤怒群众就把神盾局给扫平咯。

7.2分。高潮全在结尾的10分钟。恰逢恐怖片的新一代革命，插入的种族问题也给电影本身带来了更多思考。或许我应该重新看看《逃出绝命镇》，它好像没有我一开始想象的那么简单。