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As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.

配音，画面，音乐都很棒

非常侯孝贤，开头出走的奶奶恍惚间以为是《童年往事》。细想发觉这才是是枝裕和最暗的一部，几乎全片都罩在阴暗的固定长镜头里。

女主状态不好，像老了几十岁，“黄昏恋”吗？

罗马竞技场打败了神一样的诺里斯，