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全员皆恶人，黑色结局，压抑、焦虑的情绪贯穿整个观影过程，让我真心喜欢不上这个片子。哪怕我知道这种多线条叙事和黑色主题能讲成这个样子真是牛逼。看完胸口闷着一口气，吐不出来又咽不下去。

还算合格的续篇，元素和氛围有些应用生硬，上一篇没杀的一家在这篇全补上了，诶

20181029@上师大人文礼堂重看，拷贝佳，近乎经典电影教学课般的体验，在有些动不动喜欢煽情呼喊甚至歇斯底里的现代电影面前，展现真正的有力悲剧是何等模样，极简的对白和叙事，冰冷的村庄、学校、家庭，穆谢特的心就是被这冷酷漠然刻薄的世界冻得每一丝暖意都一点点抽去，她才刚刚开始绽放的懵懂的青春一点点枯萎，直至最终选择奥菲利亚般的结局

Sublimation of romance in both spiritual & carnal sides in a thrilling, dark & foreboding atmosphere. Impressive cinematography & time-colouring, making up for some memorable scenes. Unequal performances though (top-notch stuff by Oldman, blunt act by Keenu). 2020 edit, after reading the book: Masterpiece. Should have been titled Coppola's Dracula as the director, although adapting the original material, proceeds to a substantial transfiguration. The film is a constant dialogue between two great artists, making use of aesthetics and themes most pertinent to their time. The book serves as a revered foundation, on which the director builds upon layers of subtext, a new story & meanings

如果贫困、被强暴、没有童年与青春就要去寻死，这样未免过于纯真与矫情。看看邵氏的《花街时代》吧，即使生活把你蹂躏，你也要坚强地让生活继续糟蹋你，说不定其间还会有惊喜呢。