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#3rdPYIFF# 是洛迦诺喜欢的那种路子，而且巴西似乎很爱拍这种带点自然神秘主义的喃喃自语的片子，再加上点现代工业文明的侵蚀之类的议题，叙事还是比较松散，依赖氛围推动，也不能说不好看，毕竟影像上还是有很好的追求的，但是精力比较疲惫的时候看这种风格还是觉得有点吃力，比较难进入。

杀手也要关注率——将近三个小时的观影过程一点都不枯燥，虽然最后并没有得出任何确凿的结论，但是我认为Leigh就是那个十二宫杀手。世上臭屁的变态杀手还真是多……杀人还不够，还要挑战警察，非要让这些无能的家伙们坐立难安才好。

有史以来最搞笑的女二 人设是不接受任何怜悯 结果整部剧都活得和看门狗一样 还问男主为什么不能停下来走向她 这世上有种解脱叫辞职知道不

摇摆于纪录片和真实电影之中retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc, “before it was too late,” reconstructing her impressions in the manner of a documentary on the border of fiction. By filming “everything that touched me,” Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Unfolding without dialogue or commentary, FROM THE EAST takes the form of a cinematic elegy.

高开低走 男女主线完全崩塌 怎么想开了愿意跪下的？？