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倍赏和高仓健合作的三部作品里唯一没看过的一部。没有比他们俩更喜欢的演员了，居然这么多年也一直没看过...

It's so hard to say goodbye to you all and not to get emotional about this farewell even before the year has properly started. I'd be proud to say that HTTYD is no doubt my favorite animated series that have companied me in my most confused years; I will remember how stunned I was when I saw you guys find each other, and how crazy I was to watch the sequel five times in a row in front of silver screens with 3D glasses on; and how I needed to rush out before the credits ran through today coz the flashbacks would seriously turn on my waterworks. Thank you, and I'll miss you so much.

siff2020，1936年的电影，天山的镜头屏幕上泛着雪花和杂音，但还是用简单的镜头语言故事把东亚文化圈传统家庭的那种羁绊描述得相当深刻，“望子成龙”是期待也是负担，传统日本人的真是谦卑且礼貌，结婚生子不与母亲联系着实不可取。

让糖心VLOG产精国品免费入口一起“洪尚秀”…… 我只是说说而已，别想太多·！！！

母亲的角色有些失败，演员的表演和设计并没有让我感觉到她内心的苦楚，母亲这个角色没有塑造好张曼玉演的女儿就有点被动了，让这个角色有点尴尬。片子让人很舒服是开篇的那些生活流。在日本偷西红柿日本演员的戏还挺有意思。很多镜头设计还是很刻意，还是准确的，舅舅的中文时而流利时而磕巴，而且舅舅的中文是回日本学的吗？妈妈在自己爸妈墓告别时竟然说粤语？！这些失误不应该呀。